Conceptual editorial illustration for The New Yorker combining geometric forms, textured collage, a carbonized Herculaneum scroll, and digitally revealed ancient writing, representing technology used to uncover texts buried by Mount Vesuvius.
THE INVISIBLE LIBRARY​​​​​​​

An article about technology that extracted the writings from a scroll burnt to a crisp in the eruption of Mt. Vesuvius in 79 A.D.

Client: The New Yorker  |   Art Director: Chris Curry
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